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The Idiots

From Wikipedia, the free encyclopedia
(Redirected from Dogma 2)
This article is about the Danish film. For other uses, see Idiot (disambiguation) and The Idiot (disambiguation).
For the short story by Joseph Conrad, see The Idiots (short story).

The Idiots
Danish release poster
Directed byLars von Trier (uncredited; under Dogme rules)
Written byLars von Trier
Produced byVibeke Windeløv
Starring
CinematographyLars von Trier
Edited byMolly Malene Stensgaard
Production
companies
Distributed byOctober Films
Release dates
  • 20 May 1998 (1998-05-20) (Cannes)
  • 17 July 1998 (1998-07-17) (Denmark)
  • 27 August 1998 (1998-08-27) (Netherlands)
  • 4 September 1998 (1998-09-04) (Sweden)
  • 8 January 1999 (1999-01-08) (Spain)
Running time
114 minutes[1]
Countries
  • Denmark
  • France
  • Italy
  • Netherlands
  • Spain
  • Sweden
LanguageDanish
BudgetUSD$2.5 million
Box office$7,235[2]

The Idiots (Danish: Idioterne) is a 1998 Danish black comedy drama film written and directed by Lars von Trier. It is his first film made in compliance with the Dogme 95 Manifesto,[3] and is also known as Dogme #2. It is the second film in von Trier's Golden Heart Trilogy, preceded by Breaking the Waves (1996) and succeeded by Dancer in the Dark (2000). It is among the first films to be shot entirely with digital cameras.

It was screened at the 1998 Cannes Film Festival and was nominated for the Palme d’Or, despite being met with widespread criticism upon release.[4]

Plot

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A seemingly anti-bourgeois group of adults spend their time seeking their "inner idiot" to release their inhibitions. They do so by behaving in public as if they were mentally disabled.

At a restaurant, the patrons are disturbed by the group's antics, which are barely contained by their supposed "handler", Susanne. The group refers to this behavior as "spassing", a neologism derived from "spasser", the Danish equivalent of "spaz". Unaware that the group is pretending, Karen, a single diner, is initially sympathetic to what she believes are their genuine disabilities. One of the group members holds her hand, compelling her to go along with them in a taxi. During the ride, she discovers their act, leading to a mix of discomfort and curiosity. Upon arriving at a large house, she learns that Stoffer, the apparent leader of the group, is supposed to be selling the property (which belongs to his uncle), but instead, it becomes the focal point for the group's activities.

The "spassing" is a self-defeating attempt by the group to challenge the establishment through provocation. The self-styled idiots feel that the society-at-large treats their intelligence uncreatively and unchallengingly; thus, they seek the uninhibited self-expression that they imagine a romantic ideal of disability will allow.

Stoffer, at his birthday party, wishes for a "gangbang", so the group members have group sex (without participation of Karen). Then Stoffer calls for the group members to let idiocy invade their personal daily lives. Most of the members refuse to take up the challenge and decide to leave the group, leading the group to be dissolved. But Karen decides to take up the challenge. Karen takes Susanne back to her house, where they are greeted with surprise by Karen's mother. Karen has been missing for two weeks, following the death of her young baby; she offers no explanation of where she has been. Karen attempts to spaz in front of her family by dribbling her food, but this results in a violent slap from her husband, Anders. Karen and Susanne leave the house together.

Cast

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Production

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The Idiots is a co-production of companies from Denmark, France, Italy, the Netherlands, Spain, and Sweden. It was filmed during May and June 1997.[5] The script was written over just four days, between 16-19 May.[6][7]

Style

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The confession of a Dogme 95 film is an idea adapted by Thomas Vinterberg in the first Dogme 95 film: Make a confession if there were things happening on the shoot which are not in accordance with the strict interpretation of the Dogme 95 rules. It is written from the director's point of view. Accordingly, von Trier made the following confession:

In relation to the production of Dogme 2 "The Idiots", I confess:

  • To have used a stand-in in one case only (the sexual intercourse scene).
  • To have organised payment of cash to the actors for shopping of accessories (food).
  • To have intervened with the location (by moving sources of light – candlelight – to achieve exposure).
  • To have been aware of the fact that the production had entered into an agreement of leasing a car (without the knowledge of the involved actor).

All in all, and apart from the above, I feel to have lived up to the intentions and rules of the manifesto: Dogme95.[8]

In order to not violate Dogme 95 rule 2, forbidding the use of non-diegetic music, a harmonica player was recorded during the shooting of some scenes, including the end credits, even if he is not seen onscreen.[9]

Release

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The Idiots provoked a storm of publicity and debates, one of which was about the fictional representation of disability.[10] Film critic Mark Kermode's reaction was to shout "Il est merde! Il est merde! (sic)" from the back of the auditorium during the official screening of the film at Cannes, a spontaneous review for which he was ejected from the venue.[11]

Channel 4 aired the film unedited in 2005 as part of the channel's "Banned" season exploring censorship and cinematic works. Viewer complaints prompted an Ofcom investigation,[12] which came out in favour of Channel 4.[10] In its ruling, Ofcom found the film "not in breach" of the relevant Code under the specific circumstances of the broadcast, that is "the serious contextualisation of the film within a season examining the censorship of film and television, its artistic purpose, the channel which transmitted it, the strong warnings before the film and prior to the scene in question and the scheduling after midnight".[13] Ofcom added the caveat that "while we do not consider the film was in breach of the Code on this occasion, we must consider carefully the acceptability of any similar content on an individual basis".[13]

The film is classified as adult-only in Argentina, Australia (though it has been shown uncut on TV with an MA rating), Chile, New Zealand, Norway, South Korea, Spain, Taiwan, and the United Kingdom. In Switzerland and Germany, the film ran uncut with a 16-years rating in theaters, followed by a DVD release with the same rating and several uncut television airings. Following their acquisition of 11 of Von Trier’s films, Mubi theatrically released a 4K restoration of the film on June 16, 2023, in celebration of its 25th anniversary.[14]

Reception

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Critical reception

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On the review aggregator website Rotten Tomatoes, the film has a 72% score based on 32 reviews, with an average rating of 6.5/10. The website's consensus reads, "The Idiots feels more like an experiment than a coherent narrative, but director Lars von Trier's provocative style and rumination on civilization will leave most audience members feeling like satisfied test subjects".[15] Metacritic reports a 47 out of 100 rating based on 15 critics, indicating "mixed or average reviews".[16] Reactions to the film ranged from strong criticism to strong praise. A.O. Scott wrote a critical review in The New York Times, calling the film "a two-hour, semi-pornographic Mentos commercial" and singled out the final scene in particular for strong criticism, stating that the film "descends to truly contemptible emotional brutality".[17] Conversely, Owen Glieberman in Entertainment Weekly described the film as "a raw, funny, maddening ramble" where von Trier "seeks catharsis by pushing everything to extremes" and described the final scene as "a gripping moment of high torment".[18]

The Idiots was ranked #76 in Empire magazine's "The 100 Best Films of World Cinema" in 2010.[19] The magazine had previously given it a full five star rating on its release in UK cinemas. It is listed as #941 in the film reference book '1001 Movies You Must See Before You Die'.

Sexually explicit scenes

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More controversy arose over the sexual content, which was unusually explicit for a narrative film. The Idiots contains a shower scene in which a member of the group (in character as an "idiot") has an erection and, later, a group sex scene that includes one couple (faces not seen, stand-ins from the porn industry[20]) having unsimulated penetrative (vaginal) sexual intercourse. Both instances of explicit content are in view only for a few seconds.[21] The film was cleared for theatrical release by the British Board of Film Classification, receiving an 18 certificate.[22] When it was shown on Film4 (then FilmFour) in 2000, the erection and the intercourse were obscured by pixelization, following an order from the Independent Television Commission.[23][24]

Accolades

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The film was shown in competition at the 1998 Cannes Film Festival.

References

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  1. ^ "The Idiots (18)". British Board of Film Classification. 15 February 1999.
  2. ^ "The Idiots". The Numbers. Retrieved 24 March 2015.
  3. ^ "A joke or the most brilliant film-maker in Europe?". The Guardian. 21 January 1999. Retrieved 19 May 2023.
  4. ^ "Dogme 95 — Rules, Manifesto and Films of a Radical Experiment". StudioBinder. 5 April 2020. Retrieved 14 November 2022.
  5. ^ Jerslev, Anne (2002). Realism and 'reality' in Film and Media. Museum Tusculanum Press. ISBN 9788772897165.
  6. ^ Knudsen, Peter Øvig. "The Man Who Would Give Up Control". Dogme95.dk.
  7. ^ Parker, Sabadino. "The Idiots". PopMatters – via internationalfilmseries.com.
  8. ^ von Trier, Lars (1998). Dogme 2, Idioterne: manuskript og dagbog (in Danish). Gyldendal. ISBN 978-87-00-34238-5.
  9. ^ "Interview of Lars von Trier". Dogme Collection #1-4: 10th Anniversary (DVD). Electric Parc. 2005.
  10. ^ a b Farey-Jones, Daniel (24 May 2005). "Channel 4 avoids action on complaints about Idiots orgy". Brand Republic. Haymarket Media Group.
  11. ^ Kermode, Mark (13 May 2002). "Why I hate Cannes". BBC News.
  12. ^ Barnes, Anthony (13 March 2005). "Channel 4 faces investigation for breaking last sexual taboo on TV". Independent on Sunday. Archived from the original on 18 June 2022.
  13. ^ a b "The Idiots; Channel 4, 7 March 2005, 00:05" (PDF). Ofcom broadcast bulletin 35. 23 May 2005. pp. 8–9. Archived from the original (PDF) on 13 April 2006.
  14. ^ Dawe, Luke (12 May 2023). "'The Idiots': Lars Von Trier's Controversial Film Gets 25th Anniversary Theatrical Release". Collider. Retrieved 19 May 2023.
  15. ^ "The Idiots". Rotten Tomatoes. Flixster. Retrieved 17 August 2023.
  16. ^ "The Idiots reviews". Metacritic. CBS Interactive. Retrieved 15 February 2016.
  17. ^ Scott, A.O. (28 April 2000). "'The Idiots': Colloquies on the Finer Points of Drooling". The New York Times. Retrieved 6 April 2022.
  18. ^ Gleiberman, Owen (12 May 2000). "The Idiots". EW.com. Retrieved 6 April 2022.
  19. ^ a b "The 100 Best Films of World Cinema: 76. The Idiots". Empire. Archived from the original on 20 November 2011. Retrieved 2 January 2011.
  20. ^ van der Vliet, Emma (18 May 2015). "Naked film: stripping with The Idiots". freepatentsonline.com. Archived from the original on 4 March 2016.
  21. ^ "17 Sex Scenes That Supposedly Weren't Simulated". WhatCulture. Archived from the original on 12 April 2016.
  22. ^ Williams, Rhys (17 February 1999). "Group sex film passed by censor". The Independent. Archived from the original on 18 June 2022.
  23. ^ "Explicit art film to run on British movie channel". Studio Briefing. 27 April 2000. Archived from the original on 12 October 2004.
  24. ^ Turner, Mimi (28 April 2000). "ITC orders cuts to FilmFour's 'Idiots' airing". The Hollywood Reporter. Archived from the original on 17 May 2013.
  25. ^ "1999". Bodilpresen (in Danish). Retrieved 19 May 2023.
  26. ^ "Idioterne". Festival de Cannes. Archived from the original on 16 July 2021. Retrieved 30 September 2009.
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